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HILDEGARD BEHRENS built
her reputation singing the most demanding soprano roles in the operatic
repertory. She is most renowned for her portrayals of the heroines of
Wagner and Strauss. Indeed to many of today's audiences she is the greatest
living Brünnhilde and the "most riveting Salome," the role
that catapulted her to stardom and a brilliant operatic career. But she
has not limited herself to German opera - her repertory includes roles
as diverse as Puccini's Tosca, Berlioz' Cassandra and Janacek's
Emilia Marty. Her operatic debut was as the Countess in Mozart's
Marriage of Figaro, and she debuted at the Metropolitan Opera as
Giorgetta in Puccini's Il Tabarro.
For all the worldwide acclaim she has received through the years, one
would think Hildegard Behrens was born singing. Yes, she had a good headstart
in music. Born in the north German town of Varel - Oldenburg to music-loving
parents who were both doctors (her father composed music and played the
cello), she and her five siblings learned the piano and the violin at
an early age.
But it will surprise many to learn that her first professional training
was as a lawyer. She has a law degree from the University of Freiburg
where she was also a member of the student choir. It was in her third
year as a law student when she began her musical studies at the conservatory.
In the end, with law diploma in hand, the lure of music proved all too
powerful - and thus the legal profession's loss became music's fortunate
gain. Yet surely the law is not entirely to music lost. Indeed, her legal
training can only have enhanced her native musical intelligence and deep
sense of drama, enabling her to give to her many operatic roles the same
scrupulous scrutiny she surely gives to her contracts. When portraying
the goddess-warrior Brünnhilde in the last act of Wagner's Die
Walküre, for example, she movingly and with great pathos pleads
her case - as only a consummate artist AND a smart lawyer can!
(Click HERE
for Ms. Behrens' own thoughts on portraying Brünnhilde.)
More -- p2>>
p3>>
(See Suggested
Reading for more on Ms. Behrens and her Discography
for her audio and video recordings.)
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